#Equil note mac for mac os
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That receiver is able to determine the bounds of the page and tells you when you're getting too close to the top or the bottom by flashing a red light. If you happen to be using something like a Field Notes notebook or Moleskine, you can just clip it to the page, write and draw, turn the page, and clip it onto the top of that page. The receiver is clipped to the top of the page of whatever you're writing on.

#Equil note mac for mac os

It has three positions: one marked with the Bluetooth symbol for shutting off Bluetooth and just capturing pen motion with the pen alone, one marked 'Other' for Mac OS X, Windows, and Android, and another marked iOS. Upon pulling the little receiver out of the charging cradle, I noticed a previously hidden switch for setting modes. My first test was with my iMac, which is running OS X Yosemite beta. I've tried a lot of 'smart pens' over the years, and to be honest I was pretty skeptical about how well this device would capture text and sketches. Equil will be selling the devices singly or in two-packs we received a two-pack (two pens) for the review.įor me, the real test of the Equil Smartpen 2 was going to be on how well it worked. There's even a pop-out cap for the pen, which should help the pens last longer as they won't dry out. Folding around the triangular charging cradle is a magnetically-secured cover similar to Apple's Smart Covers. That receiver is a small 3-inch long rectangular box that slides out like a drawer from the charging cradle. The entire pen fits into what's called a 'Charging Cradle and Convenience Case' that holds not only the charger for the device, but the receiver for the pen. You can disable notifications at any time in your settings menu. There's a small grey rectangular button on one side, and near the top you'll find a glowing white LED and a pair of charging contacts. Looking close up at the pen, you notice several things that clue you to the fact that this is not just a plastic pen. The point where your fingers hold the pen is made of a translucent white plastic that tapers down to the pressure sensitive tip, while the rest of the body is made of a white plastic. It's triangular in shape, wider than your usual 'stick ballpoint pen', and has a good feel to it. The Equil Smartpen 2 reminds me of some pens that I've received as handout promotional items.

#Equil note mac free

Well, the Equil Smartpen 2 (US$169, pre-order on Indiegogo) wants to change all that by giving you a comfortable ballpoint pen that captures all of your writing and sketching on plain paper, moving it to either a Mac app (Equil Note, free) or one of several free iOS apps ( Equil Note HD for iPad, Equil Note for iPhone, Equil Sketch HD for iPad, and Equil Sketch for iPhone. The problem comes when you want to get some of that information into a computer, at which time you usually have to transcribe your handwritten notes and then try to recreate your drawings or scan them. You can draw, annotate, write, and organize your information in a real notebook. I explore the practical implications of these ideas through analysis of The Harmony of Peace from Smith Brindle’s Ten Simple Preludes (1979) and the first fragment of his El Polifemo de oro (1956).For a lot of people, there's no substitute for taking notes with a pen and piece of paper.

Smith Brindle’s concept of tonal-atonal equilibrium neatly captures this effect-of simultaneous melodic release and increased harmonic tension. If this tritone resolves to a third, then a contrapuntal resolution takes place, even if that third is housed in a dissonant harmony. To my mind, sets of the latter type resemble traditional seventh chords they contain a tritone that requires resolution. Joseph Straus’s theory of voice leading in set-class space, for example, defines tension flow more rigorously: coherent post-tonal progressions often move smoothly from an initial, chromatically compact set class to one that is more open and consonant. Placing them in dialogue with recent developments in post-tonal scholarship helps to unlock their potential. While his ideas are evocative, they lack theoretical finesse. The former theory compares the number of consonant and/or dissonant intervals between chords, albeit without providing a consistent means of distinguishing between similar sonorities the latter observes that various musical passages strike a balance between functional and non-functional harmony, albeit without explaining the nature of said balance.

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In an attempt to explain how post-tonal harmonic progressions might “make sense,” Reginald Smith Brindle formulated theories of tension flow and tonal-atonal equilibrium in his 1966 textbook, Serial Composition.